David Fabelo's work as both a narrative and documentary editor has screened at festivals internationally - including Cannes, Sundance, Toronto, SXSW and LAFF. He is a fellow of the Sundance Documentary Edit and Story Lab, serving as an assistant editor.
Narrative credits include Slash, Good Night, Fourplay, and I'll Come Running. Documentary credits include The Russian Five, The Sensitives, Sir Doug and the Genuine Texas Cosmic Groove, Vinyl Nation, and Horton Foote: The Road to Home. He has served as post-production supervisor on several features including Bryan Poyser's Love & Air Sex and Rick Alverson’s Entertainment. For the past three seasons, he has served as a story producer on the web series Small Business Revolution, produced by Flow Studios. He frequently collaborates with Austin based production companies on commercials, brand documentaries and reality series.
David has directed two award-winning short films: the comedies "Test Day" and "Do Over."
Narrative credits include Slash, Good Night, Fourplay, and I'll Come Running. Documentary credits include The Russian Five, The Sensitives, Sir Doug and the Genuine Texas Cosmic Groove, Vinyl Nation, and Horton Foote: The Road to Home. He has served as post-production supervisor on several features including Bryan Poyser's Love & Air Sex and Rick Alverson’s Entertainment. For the past three seasons, he has served as a story producer on the web series Small Business Revolution, produced by Flow Studios. He frequently collaborates with Austin based production companies on commercials, brand documentaries and reality series.
David has directed two award-winning short films: the comedies "Test Day" and "Do Over."
Systems: Premiere Pro CC, Avid, Final Cut Pro X, Da Vinci Resolve
GOOD NIGHTOne of the best films I've seen at SXSW…. The alchemy is in the editing…
- Beth Hanna, Indiewire |
FOURPLAY: TAMPAMost noteworthy, perhaps, is David Fabelo’s editing, the crispness of which adds another injection of humor into the proceedings.
- Michael Tully, Hammer To Nail |
AN ORDINARY FAMILYPoignantly, editor David Fabelo fashion[ed] the strong script in a way that allowed for the maximum ability to delve into the intricate dynamics the film explores.
- Eric Shlapack, Examiner.com |
